Tuesday, April 18, 2023

The unbearable heaviness of loss

 


When I first encountered Mike Cahill's trippy meditation on love, loss, and the possibility of our souls living on past our bodies, I was intrigued. Upon re-watching, I would say intrigued has become impressed.

What I had remembered was that the film seemed to use a very Sci-Fi premise -- that our eyes' Irises contain the code, or key to our living souls -- to tell a very intimate story. Bio-tech researcher Ian Gray (Michael Pitt) working in NYC meets and falls in love with an elusive, butterfly-esque French woman (sounds a bit cliche, but go with it) and then loses her almost as quickly in a spectacularly horrific accident. The almost unreal heights of his passion translate to equally hard to swallow grief, but again, this doesn't kick us out of the story, thanks to Cahill's skilled story-telling.

Upon re-watching, I would say the Sci-Fi component is far more toned-down than I remembered, and the love-and-loss tone poem is really fore-grounded. Much to the film's benefit.

In order to work through his almost other-worldly grief, Pitt doubles down on his research, aided by Karen (played by the wonderful, and wonderfully-talented Brit Marling) and stumbles upon a remarkable discovery: it is possible that the key to an immortality of sorts is hidden in the Iris of every human being. Apparently, the Iris is the most unique expression of an individual short of their DNA, and Ian and Karen end up positing that after one person's body dies, their Iris can re-appear in another - and that that person will bear a remarkable resemblance (personality and spirit-wise) to the original.

Whether you buy this rather outlandish premise is somewhat unimportant, because the way it plays out in the last reel of the film is pitch perfect. It would be a spoiler to say whether Karen and Ian are able to prove their Thesis, but the path that takes them to their conclusion is lovely, touching and seemingly ready-made for this Indie "Sci Fi" film.

Definitely worth a watch of you like this genre, or even if you don't. Because, well, Brit Marling.

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